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Notions of Temporalities in Artistic Practice

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Abstract

This volume focuses on notions of temporality in artistic practice. It gathers texts by ten cultural scientists who, by reflecting on the work of an artist or another art- or architecture-related protagonist, examine the subject of temporality, its reference systems, its framework, and its consequential phenomena. The contributors pose questions about the specific characteristics and influences of temporalities. The various approaches brought together in the volume enable the reader to delve into particular cases in order to contextualize the question of how temporality initiates action and structures of perception, weaves itself into these structures, and thereby shapes our presence, affecting our bodies, our senses, and our communication.


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Wood : rethinking material

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Als organisches Baumaterial erfährt Holz in Zeiten der Klimakrise eine besondere Wertschätzung. Eingebunden in umweltschonende Ressourcenkreisläufe zeigt sich seine Innovationskraft, wenn es als Material Bestandteil neuer technologischer Entwicklungen und hybrider Verwendungen wird, die aktuellen und komplexen architektonischen Aufgaben gewachsen sind. Das neue Denken des Materials Holz als hochmodernem und veränderlichem Baustoff der Zukunft hat gerade erst begonnen.GAM. 17 nimmt Holz in seiner Vielschichtigkeit und seinem architektonischen Potenzial neu in den Blick und stellt dabei konstruktive und gestalterische Konzepte vor, die die Möglichkeiten des Materials für eine klimafreundlichere Bauwirtschaft ausloten. Ergänzt wird dies durch einen Rückblick in die Geschichte des Holzbaus und seine ideologischen Verstrickungen, die die Weiterentwicklung des Baustoffs lange erschwert haben. Mit Beiträgen von Reyner Banham, Urs Hirschberg, Anne Isopp, Jens Ludloff, Laila Seewang, Stephan Trüby, Anselm Wagner und anderen. As an organic building material, wood is held in particularly high esteem in this age of climate crisis. A component of environmentally friendly resource cycles, wood demonstrates its innovative potential when used in new technological developments and hybrid applications that are suited to complex, modern architectural tasks. We have only just started reimagining wood as a cutting-edge, versatile building material of the future. GAM. 17 takes a new look at wood--at its multi-faceted nature and architectural possibilities-- and proposes building and design concepts that fully utilize the material's potential for a more climate-friendly construction industry. This is further complemented by a look back at the history of building with wood and the ideological entanglements that have long stood in the way of the further development of wood as a building material. With contributions by Reyner Banham, Urs Hirschberg, Anne Isopp, Jens Ludloff, Laila Seewang, Stephan Tr|by, Anselm Wagner, and others.

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